Get ready for a fashion extravaganza like no other—Paris Fashion Week Men’s Fall/Winter 2026 and Couture Week are here, and they’re packed with moments that will leave you breathless. But here’s where it gets emotional: after 37 years, Hermès’s Véronique Nichanian is stepping down, and her final collection promises to be a poignant farewell. Yet, amidst the goodbyes, there’s a buzz of new beginnings. Dior’s Jonathan Anderson and Dries Van Noten’s Julian Klausner are showcasing their second men’s collections, proving they’re here to stay. And this is the part most people miss—Saint Laurent’s Anthony Vaccarello is breaking tradition by presenting his men’s collection during Couture Week. Why? It’s a bold move that blurs the lines between ready-to-wear and haute couture. Controversial? Maybe. Genius? Absolutely.
Kicking off the week, Louis Vuitton, under Pharrell Williams’s creative helm, sets the tone for what’s to come. Day one also shines a spotlight on Japanese label Auralee, whose designer Ryota Iwai was crowned one of fashion’s ‘Most Underrated Designers’ by Vogue Runway readers. But here’s the twist: Saudi label KML is making waves by presenting its collection at the Institut du Monde Arabe, blending cultural heritage with modern fashion. Is this the future of global fashion? You decide.
Day two belongs to Dior, but don’t overlook Kenzo’s immersive presentation inside Kenzo Takada’s Parisian home—a symbolic homecoming that merges fashion, design, and even gastronomy. And this is the part most people miss: Jaden Smith, Christian Louboutin’s first men’s creative director, is debuting his collection. Will it redefine menswear? Only time will tell. Meanwhile, Acne Studios is doubling down with an exhibition at its Palais Royal gallery, showcasing Jordan Hemingway’s photography.
The week is a whirlwind of talent. Paradis celebrates its founder Emeric Tchatchoua’s recent honor as Chevalier de l’Ordre des Arts et Lettres, while KidSuper’s Colm Dillane signs his coffee table book at a chic cocktail bar. Controversial question: As fashion becomes more about storytelling, are these side events overshadowing the clothes themselves?
Thursday brings heavyweights like Issey Miyake, Rick Owens, and Yohji Yamamoto, but don’t miss Camperlab’s final show under Achilles Ion Gabriel or ERL’s Paris debut. Tickets for Kartik Research’s show are already a hot commodity, thanks to founder Kartik Kumra’s viral custom tie for NYC Mayor Zohran Mamdani. But here’s where it gets political: Willy Chavarria, returning for his third season, continues to use his platform to address social issues, like last year’s partnership with the ACLU during ICE raids. Is fashion the new frontier for activism?
The weekend is just as packed. Kiko Kostadinov celebrates a decade in the industry, Magliano makes its official calendar debut, and Nichanian’s Hermès finale is set for 8 PM. And this is the part most people miss: Patou’s off-schedule show on January 25 feels like a seamless bridge to Couture Week, while Berluti’s move to a single annual presentation in June 2026 raises questions about the future of seasonal fashion.
Couture Week, running January 26–29, is a feast for the eyes. Highlights include Anderson’s first couture show for Dior, Matthieu Blazy’s Chanel debut, and Giorgio Armani Privé’s emotional tribute following the maestro’s passing. Controversial interpretation: Is couture becoming more about legacy than innovation? Discuss.
Off the runway, Roger Vivier’s Pièce Unique collection, Sotheby’s auction of Doris Brynner’s collection, and Christie’s sale of Mathilde Favier’s belongings add layers of history and glamour. Final thought: With Sant Ambroeus and Cassaro’s opening in Saint Germain-des-Près, Paris isn’t just a fashion capital—it’s a lifestyle. What’s your take? Is Paris still the undisputed heart of fashion, or is it evolving into something entirely new? Let’s debate in the comments!
